Wanted to show why Neil and I didn't work together for almost ten years...
I used to pencil pretty tightly. Not my nature; this page is probably my third revision.
I thank/blame Mark A Nelson for that; My college professor shared this influence with the Image wave and sowed a mistrust of "inkers" instead of the trusting symbiosis of "finishers". Of course, I bear the ultimate responsibility and I gotta tell you, I'm a happier penciler when I work loose.
I know that's not why I didn't get the job though. Sometimes I just don't fini
Personally I disagree. I had a blast on my paper route and have dozens of stories.
The video I am helping you skip seems like a paid advertisement. Watch it if you want by clicking the title above.
But she's right, in that kids cannot relate to paper route stories. Routes are so big now that there's no way a kid could do it. Too bad.
Here's the stuff I thought was useful...
Think about your competition, and if there's somebody else out there doing something similar. How is your idea different from that?
Think about sales outlets... what kind of channel would you expect to see this on?
Think about your audience. As creators we often are so absorbed in our creations that we forget what it's like to see it for the first time.
Get feedback, as much as possible... then follow up on the questions and comments as you develop the idea. Pay attention to places you stumble or feel less than confident during your presentation; work on those!
Design it as an outline of your presentation, but not as the presentation itself. It's a tool to aid the presentation. Make it available as a nice leave-behind, but don't just leave it. Ask if they would like a PDF instead.
10 pages total. Has to have good grammar and writing & a fun, easy read
Overview
1-2 pgs w/art; logline, include episode length.
START AT THE BEGINNING; introduce characters, allude to tone of the world & the possible/impossibilities.
Character Descriptions
One paragraph per main character (5 tops); examples of action, not adjectives.
Be imaginative
Do we know characters like these? What's the twist?
Be selective
Episode Springboards
This makes it or breaks it...
mini-episode outlines; beginning, middle, and (especially) end. Add 3 tableaus of high spots.
uses all characters; here are the personality characteristics that got them into trouble, and here's how those traits will get them out of trouble.
5-7 springboards.
Art
specific per section of show
must show emotion
must display the tone of the show
MUST BE EXCELLENT!
Do think cross-platform.
Do have personality, point-of-view, and Uniqueness
Do not assume that more is better (trailer, tons of sketches).
Do not include budgets, marketing, L&M.
Bottom line; you are always selling yourself as a professional, interesting, artistic, creative problem solver. No is not forever. You never know what's going on behind the scenes.
A few days after attending the Creative Chicago Expo 2011 I got a nice email from Alyson, the Membership Director for Chicago Artists Coalition, with a great membership deal.
Now honestly, I had not heard of this organization before... then again, I somehow made it almost 10 years after college without knowing about the Graphic Artists Guild. So I may not be exactly cutting-edge. All the more reason to hook up with an organization that is putting on events (and giving away money! Cha-Ching!)
I didn't start this post as an ad, though. The title was actually me asking myself
"What ever happened to me as an artist?"
The more I blog, take graphic design jobs, and spend hours on Lynda training on YouTube and Soundbooth and Flash, the less time I am spending in Gouache, Watercolor, Pen & Ink. I hadn't realized it in my gut until I clicked onto the CAC site and was confronted with scads of what could only be described as "Art".
Not Design.
Not Illustration.
Luckily, the magic of the internet keeps me in touch with a few of my more productive cohorts from college.
Logo design is intriguing to me. Usually I'm working up a comic title or font and skimming through tons of old Letraset guides with tracing paper, working out the direction I like. But usually, I'm my own client...
I know, hardcore designers would probably NOT consider this logo design. It's a font, with a few tweaks. But The Clients are happy, and that makes me happy!
Lots of cool and interesting ideas for marketing and in support of working artists! Special thanks to the following tables for accommodating Donovan and me today...
Of course, there were many other folks who we signed up on mailing lists with, and when we get their contact info we'll share it with you in another post. For now, you'll just have to content yourself with Rawr, the hulkbunny.
